Opinion Columns & Blogs

June 16, 2014

Joe Moore: Come home, George Lucas, to build your museum

San Joaquin Valley needs “Star Wars” draw much more than San Francisco or Chicago.

In California, we have high standards, especially when it comes to development. The bigger the project, the lengthier and more complicated its gestation – and nowhere more than in San Francisco. Just ask George Lucas.

For the past few years, the “Star Wars” creator has been vying for the chance to spend about $700 million to build a museum in the Presidio to showcase his art collection. His museum proposal was one of three for a prime location near Crissy Field that went before the Presidio Trust in February. All three were rejected as inappropriate for the site, currently home to a sporting goods store.

Now Lucas – the man who brought “American Graffiti” and Luke Skywalker to the imaginations of millions of Americans – has turned his focus to Chicago, a city that has embraced his plan with fervor. Chicago Mayor Rahm Emanuel has picked out a location, near Soldier Field on the shore of Lake Michigan.

Not to be outdone, San Francisco Mayor Ed Lee has offered a city-owned lot just south of the Bay Bridge. It recently became available when the NBA’s Golden State Warriors said “enough” over the lengthy approval process for their proposed waterfront arena and hotel complex and took their project elsewhere in the city.

Even if neither Chicago’s nor San Francisco’s bid comes to fruition, Lucas will have plenty of suitors waiting to welcome his collection of art and Hollywood memorabilia. But what if Lucas took his vision for “the country’s premier venue for understanding the connections and lineage of illustrative and visual art” and did something truly bold?

What if Lucas returned to his childhood roots and to a place that would truly value his collection and its impact – where his museum wouldn’t be yet another in a long list of tourist attractions, but the centerpiece destination?

George Lucas: build your museum here, in the San Joaquin Valley.

Lucas’ hometown of Modesto might be the best choice. Last year residents feted their native son with a parade in honor of the 40th anniversary of “American Graffiti.” Lucas’s Modesto story is one of overcoming challenges; he was in a serious car accident his senior year of high school that he has called life-changing, spurring him to enroll in Modesto Junior College and go on to USC. Given his personal story and Modesto’s own economic and educational challenges, his vision for a museum dedicated to “the filmmaker’s passion for education and the role art can play in inspiring young people” couldn’t hope to find a more appropriate home.

Just up Highway 99, Stockton would also be a good choice. A once-proud city that for too long has been mired in bankruptcy, it already has a reputation for quietly stealing away coveted assets from San Francisco. Exhibit A: the Google barge, now docked at the Port of Stockton, after the San Francisco Bay Conservation and Development Commission booted it from Treasure Island.

Even Fresno could put up a strong argument to land the “Star Wars” museum. The city’s major science and art museum defaulted on a major loan and closed for good at the height of the financial crisis, leaving a massive void in the community and a $15 million debt to the city, which had guaranteed the loan. Fresno is also home to one of the state’s largest urban school districts, where most students will likely never have the opportunity to visit such a cultural institution.

Of course, in the world of billionaire producers and art collectors, prestige and glamour will almost always win out over hardscrabble determination and true need. But Lucas’ films are about the triumph of the underdog. And isn’t putting the new Lucas museum in a city that’s already overflowing with them the ultimate example of the rich getting richer?

If located in the Central Valley, his museum wouldn’t just stimulate the minds of young people, it would also help give a sizable boost to the local economy, which is plagued by double-digit unemployment.

We’ll most likely know soon where Lucas plans to build. Someone as skilled as the legendary director will probably be able to navigate the political and regulatory obstacle course that any Bay Area location would involve, no matter how lengthy. But if San Francisco looks like it will debate the minutiae of his proposal forever, Lucas would be wise to look east to the San Joaquin, where this project would be moved forward at light speed.

Zócalo Public Square

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